Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share your publications and get.

Fahrenheit 9/1. 1 - Wikipedia. Fahrenheit 9/1. 1 is a 2. American documentary film directed, written by, and starring filmmaker, director and political commentator. Michael Moore. The film takes a critical look at the presidency of George W.

The cast of "American Gods" chat with Kevin Smith on IMDb LIVE at NY Comic Con about the show's success and how the series will continue to veer creatively from Neil.

Bush, the War on Terror, and its coverage in the media. In the film, Moore contends that American corporate media were "cheerleaders" for the 2.

1. Find all time good movies to watch. Explore best movies by year and genre. Follow direct links to watch top films online on Netflix, Amazon and iTunes.
2. NZD (New Zealand Dollar) - Latest News, Analysis and Forex. https://www.dailyfx.com/nzd Latest NZD market news, analysis and New Zealand Dollar trading forecast.
3. Fahrenheit 9/11 is a 2004 American documentary film directed, written by, and starring filmmaker, director and political commentator Michael Moore.
4. Directed by Apichatpong Weerasethakul. With Thanapat Saisaymar, Jenjira Pongpas, Sakda Kaewbuadee, Natthakarn Aphaiwonk. Dying of kidney disease, a man spends his.
5. The Grandmaster is a 2013 Hong Kong-Chinese martial arts drama film based on the life story of the Wing Chun grandmaster Ip Man. The film was directed and written by.

Iraq, and did not provide an accurate or objective analysis of the rationale for the war or the resulting casualties there. The film generated intense controversy, including disputes over its accuracy. The title of the film alludes to Ray Bradbury's 1.

Fahrenheit 4. 51, a dystopian view of the future United States, drawing an analogy between the autoignition temperature of paper and the date of the September 1. The Temperature at Which Freedom Burns".

The film debuted at the 2. Cannes Film Festival and received a 2. The film was also awarded the Palme d'Or,[2] the festival's highest award. The film is the highest grossing documentary of all time. Synopsis[edit]The movie begins by suggesting that friends and political allies of George W. Bush at Fox News Channel tilted the election of 2. Bush the winner. It then suggests the handling of the voting controversy in Florida constituted election fraud.

The film then segues into the September 1. Moore says Bush was informed of the first plane hitting the World Trade Center on his way to an elementary school. Bush is then shown sitting in a Florida classroom with children. When told that a second plane has hit the World Trade Center and that the nation is "under attack", Bush allows the students to finish their book reading, and Moore notes that he continued reading for nearly seven minutes.

Moore then discusses the complex relationships between the U. S. government and the Bush family; and between the bin Laden family, the Saudi Arabian government, and the Taliban, which span over three decades. Moore alleges that the United States government evacuated 2. Laden family on a secret flight shortly after the attacks, without subjecting them to any form of interrogation. Moore moves on to examine George W. Bush's Air National Guard service record.

Moore contends that Bush's dry- hole oil well attempts were partially funded by the Saudis and by the bin Laden family through the intermediary of James R. Bath. Moore alleges that these conflicts of interest suggest that the Bush administration does not serve the interests of Americans.

The movie continues by suggesting ulterior motives for the War in Afghanistan, including a natural gas pipeline through Afghanistan to the Indian Ocean. Moore alleges that the Bush administration induced a climate of fear among the American population through the mass media. Moore then describes purported anti- terror efforts, including government infiltration of pacifist groups and other events, and the signing of the USA PATRIOT Act. The documentary then turns to the subject of the Iraq War, comparing the lives of the Iraqis before and after the invasion. The citizens of Iraq are portrayed as living relatively happy lives prior to the country's invasion by the U. S. military. The film also takes pains to demonstrate supposed war cheerleading in the U. S. media and general bias of journalists, with quotes from news organizations and embedded journalists.

Moore suggests that atrocities will occur in Iraq and shows footage depicting U. S. abuse of prisoners.

Later in the film, Lila Lipscomb appears with her family after hearing of the death of her son, Sgt. Michael Pedersen, who was killed on April 2, 2.

Karbala. Anguished and tearful, she begins to question the purpose of the war. Tying together several themes and points, Moore compliments those serving in the U. Watch Booty Call Online Full Movie.

S. military. He claims that the lower class of America are always the first to join the Army, so that the people better off do not have to join. He states that those valuable troops should not be sent to risk their lives unless it is necessary to defend America.

The credits roll while Neil Young's "Rockin' in the Free World" plays. Moore dedicated the film to his friend who was killed in the World Trade Center attacks and to those servicemen and women from Flint, Michigan that have been killed in Iraq. The film is also dedicated to "countless thousands" of civilian victims of war as a result of the wars in Afghanistan and Iraq. Production[edit]Originally planned to be financed by Mel Gibson's Icon Productions (which planned to give Michael Moore eight figures in upfront cash and potential backend),[3]Fahrenheit 9/1.

Miramax Films and Wild Bunch in May 2. Icon Productions had abruptly dropped the financing deal it made.[4] Miramax had earlier distributed another film for Moore, The Big One, in 1. At that time, Disney was the parent company of Miramax. According to the book Disney. War, Disney executives did not know that Miramax agreed to finance the film until they saw a posting on the Drudge Report. Michael Eisner (the CEO of Disney at that time) called Harvey Weinstein (co- chairman of Miramax at that time) and ordered him to drop the film.

In addition, Disney sent two letters to Weinstein demanding Miramax drop the film. Weinstein felt Disney had no right to block the releasing of Fahrenheit 9/1. Miramax needed to seek Disney's approval, and it would not be rated NC- 1. But Weinstein was in contract negotiations with Disney, so he offered a compromise that he would drop the film if Disney did not like it.[5] Disney responded by having Peter Murphy send Weinstein a letter stating that the film's $6 million budget was only a bridge financing and Miramax would sell off its interest in the movie to get those $6 million back; according to the same letter, Miramax was also expected to publicly state that it would not release the film.[5]After Fahrenheit 9/1. Miramax held several preview screenings; they were "testing through the roof".[6] Weinstein informed Eisner that Fahrenheit 9/1. Eisner was surprised by the fact that Miramax had continued making the film.[6] Weinstein asked several Disney executives (including Eisner) to watch the film, but all declined; Disney stated again that Miramax would not release the film, and Disney also accused Weinstein of hiding Fahrenheit 9/1. Disney sent production vice president Brad Epstein to watch Fahrenheit 9/1.

April 2. 4, 2. 00. According to Weinstein, Epstein said he liked the film; but according to the report Epstein sent to the Walt Disney Company board of directors, Epstein clearly criticized it.[6] Eisner told Weinstein that Disney's board decided not to allow Miramax to release the film.[6] Weinstein was furious and he asked George J. Mitchell (chairman of Disney at that time) to see the film, but Mitchell declined.[6] Weinstein asked lawyer David Boies to help find a solution; [6] the Weinsteins and Moore had also hired Chris Lehane to consult on the film's release strategies.[7]The New York Times reported about Disney's decision on May 5, 2. Disney stated that both Moore's agent (Ari Emanuel) and Miramax were advised in May 2. Miramax would not be permitted to distribute the film. Disney representatives said Disney had the right to veto any Miramax film if it appeared that its distribution would be counterproductive to the interests of the company; indeed, Disney had blocked Miramax from releasing two films before: Kids and Dogma.[9]Because of these difficulties, distribution was first secured in numerous countries outside the U.

S. On May 2. 8, 2. Disney announced that Miramax film studio founders Harvey and Bob Weinstein had personally acquired the rights to the documentary after Disney declined to distribute it. The Weinsteins agreed to repay Disney for all costs to that point, estimated at around $6 million. They also agreed to be responsible for all costs to finish the film and all marketing costs not paid by any third- party film distributors.[1. A settlement between the Weinsteins and Disney was also reached so that 6.

Drum Media Sydney Issue #1. The. Music. com. au. Drum Media Sydney Issue #1. Published on Dec 1.

Drum Media is a Sydney icon. The people behind Drum virtually invented what has come to be known as street press. For over 1. 5 years, Drum ha..